Summative Assessment

The wig was easier to reset than I thought it would be and after sing shine spray it looked a little more natural than it had in the formative. I applied the wig further back than I had in my formative assessment therefore it looked a lot more like the portrait and the hairline looked more natural as it was where it was planned to be. The lace did come unstuck slightly right in the middle of the head but this would have been easy to fix and hide if I'd had a few  more minutes. Overall I was very happy with the wig.

I pre-mixed my foundations and greaspaints for the assessment so I could get the exact colour I wanted. I was happy with the skin colouring however the greasepaints made some of the edges look more obvious again which is always frustrating. The lips did not go as well as in the formative assessment and are slightly uneven however this time I put a lot more foundation in the eyebrows and redrew them with pencil not eyeshadow making them look and lot thinner and more defined which i was pleased with.

The nose worked a lot better than it did in my formative assessment which I'm very pleased about. The edges were a lot smoother and it looked a lot more natural. Although there are still some edges which are obvious (the very top of the nose is the worst) I think that this were more down to my original sculpt than my applying as I didn't put the flashing far back enough. My edges could also imporve slightly by making the cap plastic thinner as because the nose was so difficult to get out of the mold the cap plastci had to be quite thick. Overall however it was the best it had applied on the course of this unit which I'm very happy about.

The resculpted chin definately looks and works a lot better than the original one which was used for formative assessment. The shape works better with the jawline and the small change is a lot more subtle which I wanted. Most of the edge worked very well and blended away well (especially the far right of the jawline) but the very middle of the piece wrinkled and had a thick edge because I found it so difficult to apply a circle prosthetic and unfortunately whilst I was transporting the prosthetics some of the silicone was forced into a small fold in the cap plastic meaning that edge would't blend. I filled the gap ridge slightly with cabosil to try to make it smoother which worked quite well but the ridge is still obvious. I know if I had  a few more practices I could get this chin better but again it worked better than my formative so I am pleased. 

The eyebags were the pieces of the makeup I was most dissapointed in. Although they did work well and look natural they did not apply as well they had in my formative assessment or in the practise before that. This is frustrating because I know my skill level is higher than what these eyebgas show as the edges seem very thick all the way around and there are air bubbles just below the silicone. I think in the original making I made the cap plastic too thick therefore it didn't bledn as well as it had done previously where I haven't been able to see the edge at all. Therefore as the edge was thicker I should have melted away more cap plastic so the edge was closer to the prosthetic so they aren't so obvious. I was very happy with the shape of the eyebgas and how they matched the portrait but the appliance of them was disappointing for me as I know I can do better. 

The bald cap was one of the things that went the most incorrect in my formative assessment as it was much to thick and applied to far down the face so I was nervous about applying it for the summative. However the bald cap has ended up being one of the things I am most pleased about as even from up close the line is not obvious at all. I think I made it the correct thickness and applied it in a better place and therefore the edges blended away a lot better making the forehead seem a lot more seamless and natural. I was overall extremely happy with my bald cap. 

Overall I was happy with the final makeup in my summative assessment. A few things went wrong that I know could have been better but the overall look is exactly what I wanted in relation to the portrait. There were some things that went very well such as the bald cap and the wig and I know how to improve on the things that didn't go as well as they planned if I were to do it again. I think this image will look good when edited slightly to resemble the portrait and I am happy with my work.

Picture Reference

1.       1.Gordon Smith

MakeupMag, (2012), Gordon Smith [ONLINE]. Available at: http://makeupmag.com/news/newsID/1042/[Accessed 07 October 14].

2.       2.Matthew Mungle

Btlnews, (2011), Matthew Mungle [ONLINE]. Available at: http://www.btlnews.com/awards/contender-makeup-artist-matthew-mungle-albert-nobbs/ [Accessed 07 October 14].

3.     

3.DickSmithmakeup-up, (1969), Little Big Man [ONLINE]. Available at: http://www.dicksmithmake-up.com/dicks-work/dick%E2%80%99s-film-tv-credits-and-photos/little-big-man.aspx [Accessed 07 October 14].

4.    4.DickSmithmakeup-up, (1969), Little Big Man [ONLINE]. Available at: http://www.dicksmithmake-up.com/dicks-work/dick%E2%80%99s-film-tv-credits-and-photos/little-big-man.aspx [Accessed 07 October 14].

5.    5.DickSmithmakeup-up, (1969), Little Big Man [ONLINE]. Available at: http://www.dicksmithmake-up.com/dicks-work/dick%E2%80%99s-film-tv-credits-and-photos/little-big-man.aspx [Accessed 07 October 14].

6.    6.DickSmithmakeup-up, (1969), Little Big Man [ONLINE]. Available at: http://www.dicksmithmake-up.com/dicks-work/dick%E2%80%99s-film-tv-credits-and-photos/little-big-man.aspx [Accessed 07 October 14].

7.   7. DickSmithmakeup-up, (1969), Little Big Man [ONLINE]. Available at: http://www.dicksmithmake-up.com/dicks-work/dick%E2%80%99s-film-tv-credits-and-photos/little-big-man.aspx [Accessed 07 October 14].

8.  Alex Siddig before and after makeup

Marowetz, T. (2001) Making faces playing God. China. University of Texas Press. Page 160.

9. Norman Bryn’s makeup

Marowetz, T. (2001) Making faces playing God. China. University of Texas Press. Page 161.

10. National Portrait Gallery

Herry Lawford. Inside the National Portrait Gallery (2014) [ONLINE] Available at: http://en.wikipedia.org/wiki/National_Portrait_Gallery,_London [ Accessed 14 October 14]

11. Elizabeth I

Unknown. Queen Elizabeth I (1588) [ONLINE] Available at: http://www.npg.org.uk/collections/search/portrait/mw02077/Queen-Elizabeth-I?LinkID=mp01452&search=sas&sText=elizabeth+I&role=sit&rNo=8 [Accessed 14 October 14]

12. Anne Boleyn

Unknown. Anne Boleyn (1533 – 1536) [ONLINE] Available at: http://www.npg.org.uk/collections/search/portrait/mw00142/Anne-Boleyn?LinkID=mp00109&search=sas&sText=anne+boleyn&role=sit&rNo=0 [Accessed 14 October 14]

13. Richard III

Unknown. King Richard III (late 15^th Century) [ONLINE] Available at: http://www.npg.org.uk/collections/search/portrait/mw05304/King-Richard-III?LinkID=mp03765&search=sas&sText=richard+III&role=sit&rNo=0 [Accessed 14 October 14]

14. Christabel Pankhurst

Ethel Wright. Dame Christabel Pankhurst. (1909) [ONLINE] Available at: http://www.npg.org.uk/collections/search/portrait/mw200058/Dame-Christabel-Pankhurst?LinkID=mp03439&search=sas&sText=christabel+pankhurst&role=sit&rNo=2 [Accessed 14 October 14]

15. Mac Prep+Prime

Pixiwoo. MAC Prep + Prime BB Beauty Balm SPF35. (2012) [ONLINE] Available at: http://www.pixiwoo.com/2012/04/what-on-earth-is-bb-cream.html [Accessed 15 October 14]

16. Touche Eclat

Debenhams. Touche Eclat. (Unknown) [ONLINE] Available at: http://www.debenhams.com/webapp/wcs/stores/servlet/prod_10701_10001_123066950099_-1 [Accessed 15 October 14]

17. Urban Decay Naked Basics

Debenhams. Naked Basics Eyeshadow Palette. (Unknown) [ONLINE] Available at: http://www.debenhams.com/webapp/wcs/stores/servlet/prod_10701_10001_123932023199_-1 [Accessed 15 October 14]

18. MAC bronzer

InStyle. MAC Matte Bronzing Powder. (Unknown) [ONLINE] Available at: http://www.instyle.com/instyle/best-beauty-buys/product/0,,20360908_20356676,00.html [Accessed 15 October 14]

19. Tinted Brow Gel

CultBeauty. Tinted Brow Gel by {Anastasia Beverly Hills} (Unknown) [ONLINE] Available at: http://www.cultbeauty.co.uk/anastasia-beverly-hills-tinted-brow-gel.html [Accessed 15 October 14]

Marowetz, T. (2001) Making faces playing God. China. University of Texas Press. Page 161.

20. Karl Langer's skin tension lines

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 77

21. Facial Anatomy

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 78

22, 

Gretchin, D and Hall, M (2012) The Makeup Artist Handbook. Oxford. Focal Press. Page 125

23

Gretchin, D and Hall, M (2012) The Makeup Artist Handbook. Oxford. Focal Press. Page 125

24

Gretchin, D and Hall, M (2012) The Makeup Artist Handbook. Oxford. Focal Press. Page 126

25

Gretchin, D and Hall, M (2012) The Makeup Artist Handbook. Oxford. Focal Press. Page 126

26

Gretchin, D and Hall, M (2012) The Makeup Artist Handbook. Oxford. Focal Press. Page 126

27.

Gretchin, D and Hall, M (2012) The Makeup Artist Handbook. Oxford. Focal Press. Page 127

28. Age sculpt for The Curios Case of Benjamin Button

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 79

29. Vincent Van Dyke age makeup

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 80

30.

Charley Pilbro. No name. [ONLINE] Available at: http://uk.pinterest.com/pin/501729214711303034/ [Accessed 30 October 14]

31.

Charley Pilbro. No name. [ONLINE] Available at: http://uk.pinterest.com/pin/501729214711302981/ [Accessed 30 October 14]

32.

Charley Pilbro. No name. [ONLINE] Available at: http://uk.pinterest.com/pin/501729214711303012/ [Accessed 30 October 14]

33.

Peter Rosa. Paulina Paras. [ONLINE] Available at: http://www.eyeshadowlipstick.com/26410/paulina-panas-peter-rosa/?PageSpeed=off [Accessed 30 October 14]

34.

Linda Hallberg. Todays look – another eyeliner [ONLINE] Available at: http://www.bloglovin.com/viewer?post=3185090937&group=0&frame_type=a&context=&context_ids=&blog=4932505&frame=1&click=0&user=0 [Accessed 30 October 14]

35.

Byrdie Beauty. The Ultimate on-the-go makeup tool. [ONLINE] Available at: http://uk.pinterest.com/pin/31173422393351271/ [Accessed 30 October 14]

36.

Morgan Shanahan. Pro tips: lessons in dewy yet decent coverage foundation – straight from the makeup counter. [ONLINE] Available at: http://www.babble.com/beauty/pro-tips-lessons-in-dewey-yet-decent-coverage-foundation-straight-from-the-makeup-counter/ [Accessed 30 October 14]

37.

Gabrielle Korn. How to look artfully dishevelled – not slobby. [ONLINE] Available at: http://www.refinery29.com/messy-hair-makeup-styles?crlt.pid=camp.bOfNJFrVgcvM [Accessed 30 October 14]

38.

Metheromantic. Simple party makeup ideas. [ONLINE] Available at: http://www.becomegorgeous.com/blogs/metheromantic/simple_party_makeup_ideas-P7486 [Accessed 30 October 14]

39.

Re Salon and Med Bar. Re Salon and Med Spar [ONLINE] Available at: http://resalonandmedspa.com/beauty-blog/dos-donts-natural-makeup/ [Accessed 4^th October 14]

40.

BBT. The Art of Lipstick Application. [ONLINE] Available at: http://bestbeautytipsfor.me/the-art-of-lipstick-application/ [Accessed 4^th October 14]

41.

Unknown. HerKnewTribe. [ONLINE] Available at: http://www.hernewtribe.com/tumbled-2/ [Accessed 4^th October 14]

42.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 110

43.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 112

44.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 112

45.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 113

46.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 113

47.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 114

48.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 115

49.

Effects. Abingdon. Focal Press. Debreceni, T. (2013) Special Makeup Page 121

50.

Jessica Mesiner. Madonna. [ONLINE] Available at: http://www.buzzfeed.com/jessicamisener/23-celebrities-before-after-photoshop?sub=2122737_1135263 [Accessed 4^th October 14]#

51.

Jessica Mesiner. Kate Winslet. [ONLINE] Available at: http://www.buzzfeed.com/jessicamisener/23-celebrities-before-after-photoshop?sub=2122737_1135082 [Accessed 4^th October 14]

52.

Jessica Mesiner. Megan Fox. [ONLINE] Available at: http://www.buzzfeed.com/jessicamisener/23-celebrities-before-after-photoshop?sub=2122737_1135178 [Accessed 4^th October 14]

53. Jessica Mesiner. Scarlett Johanasson. [ONILINE] Available at: http://www.buzzfeed.com/jessicamisener/23-celebrities-before-after-photoshop?sub=2122737_1135183 [Accessed 4^th October 14]

54. Jessica Mesiner. Alicia Silverstone. [ONLINE] Available at: http://www.buzzfeed.com/jessicamisener/23-celebrities-before-after-photoshop?sub=2122737_1135108 [Accessed 4^th October 14]

55. Jessica Mesiner. Rachel Weisz. [ONLINE] Available at: http://www.buzzfeed.com/jessicamisener/23-celebrities-before-after-photoshop?sub=2122737_1135091 [Accessed 4^th October 14]

56 -

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 82

57

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 152

58.

 Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 152

59.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 154

60.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 154

61.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 156

62.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 157

63.

Anderson, J (1992) Wig Making step by step. Hampshire. JA publications. Page 4

64.

Anderson, J (1992) Wig Making step by step. Hampshire. JA publications. Page 62

65.

Anderson, J (1992) Wig Making step by step. Hampshire. JA publications. Page 63

66.

Anderson, J (1992) Wig Making step by step. Hampshire. JA publications. Page 64

67.

Anderson, J (1992) Wig Making step by step. Hampshire. JA publications. Page 74

68.

Shore-on. Shore hardness scale. [ONLINE] Available at: http://www.smooth-on.com/Documents-Duromete/c1351_1370/index.html [Accessed 27th November 14]

69.

Davis, G. Hall, M. (2012) The Makeup artist handbook. Oxford. Focal press. Page 25

70

Nathan Chandler. Dry skin is another bothersome problem that often comes with age. [ONLINE] Available at: http://health.howstuffworks.com/skin-care/beauty/anti-aging/5-ways-skin-changes-as-you-age.htm#page=1 [Accessed 27^th November 14]

71.

Nathan Chandler. Older skin is sometimes extremely fragile and more susceptible to tears and cuts. [ONLINE] Available at: http://health.howstuffworks.com/skin-care/beauty/anti-aging/5-ways-skin-changes-as-you-age.htm#page=2 [Accessed 27^th November 14]

72.

Nathan Chandler. Early and aggressive preventative measures can reduce excessive skin sagging as you enter later years. [ONLINE] http://health.howstuffworks.com/skin-care/beauty/anti-aging/5-ways-skin-changes-as-you-age.htm#page=3 [Accessed 27^th November 14]

73.

Nathan Chandler. Age spots are often most visible on the hands, which receive a lot of sun exposure during your lifetime. [ONLINE] http://health.howstuffworks.com/skin-care/beauty/anti-aging/5-ways-skin-changes-as-you-age.htm#page=4 [Accessed 27^th November 14]

74.

Nathan Chandler. As your skin ages, wrinkles become unavoidable.[ONLINE] http://health.howstuffworks.com/skin-care/beauty/anti-aging/5-ways-skin-changes-as-you-age.htm#page=5 [Accessed 27^th November 14]

75.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

76.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

77.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

78.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

79.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

80.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

81.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

82.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

83.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

84.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

85.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

86.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

87.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

88.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

89.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

90.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

91.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

92.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

93.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

94.

Gorton, N (2007) Creating Character prosthetics in silicone (parts 1 and 2) [DVD] UK. Neill Gorton Prosthetics studio

95.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 173

96.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 173

97.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 289

98.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 392

99.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 395

100.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 395

101.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 395

102.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 395

103.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 395

104.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 395

105.

Debreceni, T. (2013) Special Makeup Effects. Abingdon. Focal Press. Page 396

106 – 113.

Tindall. P (2014) Mold Making Power Point.

114.

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

115.

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

116.

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

117.

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

118.

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

119.

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

119.

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

120.

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

121.

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

122

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

123

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

124

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

125

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

126

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

127

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

128

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

129

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

130

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

131

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

132

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

133

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

134

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

135

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.

136

Spaulding Fuller, B (2007) Character Makeup Sculpting. [DVD] USA. Stan Winston school of character arts.